Mar 10 2011

Main St. Usa, by Matthew Watkins

Benjamin Rabe

Main St. Usa

Fantastic use of ArtRage.


Mar 10 2011

Art from the iPad – art show opens in Austin today

Benjamin Rabe

Visitors of the SXSW should stroll down to the Austin Details gallery where work of 28 great mobile artists will be shown:

Visual artists are creating art with their iPads and iPhones that blurs the line between painstakingly-executed original oils-on-canvas and fine art, digital-style. Our exhibit shows it off on iPads, on our iMacs, on our 58″ HDTV and as fine art prints (made as pigment-based archival inkjet prints on our Epson Pro Stylus 9900 professional printer).

Artists were juried after paying an ‘entry fee’ of 35$. The show runs through march.


Mar 9 2011

Inkpad App Reviewed by John Bavaro

bavaro

 

Inkpad. A Simple but not Simplistic Vector App

Review by John Bavaro

Last October, Brushes developer Steve Sprang, and founder of Taptrix Inc. teased the attendees of the iAMDA Mobile Art Con with a creation in the works- a vector program called “Inkpad” which he had slated for release in November of 2010. Much like the “Brushes” app, it had an enticing “touch and go” quality about it, with the ability to easily make paths, add and delete anchor points, create unlimited vector layer and custom gradients, etc. He effortlessly demonstrated a test piece in real time for conference attendees, and the prototype looked like it might be yet another Taptrix success. While the eventual debut was actually four months delayed, It appears that it might have been worth the wait. Early reviews of it are good, in the 4+ range on the iTunes Store, and my own experience of it has been very positive.

 

 

It’s NOT Illustrator

First of all, don’t expect a high-powered $1.99 version of Adobe Illustrator. It’s not even close, and despite its capabilities, Inkpad is not meant to compete with a professional desktop program (yet). Its tool palette is somewhat sparse, containing only one free drawing tool (a brush icon), which creates shapes. In order to draw a line, one has to use the stroke option with no fill at the smallest line quality. There are no spray paints or texture paints yet. It has a simple oval and rectangle tool, an eyedropper, a pen nib for adding and subtracting anchor points, a selection tool, a direct selection tool, a scaling tool and a rotation tool. The bottom menu allows users to “select all on layer” or “select all” in general, and this is useful for scaling, moving, all or selected elements in the drawing. I was actually surprised with the simple, and limited tool bar, but Sprang pulls off the “less is more” effort  and a user can immediately figure it out without plodding through the help menu.  I would hope that future updates might eventually add a live paint bucket, custom brushes,  an eraser tool, a line segment tool, etc. While it’s possible to turn text into an editable “object”, (it can be scaled, turned flipped, etc), it’s not possible to fill text with a custom gradient, or to convert it to outlines in order to make bezier curves and alter the text object’s shape- a staple of text editing in vector programs. Perhaps this omission will also be addressed in a future update.

Despite these limitations, the app is remarkably versatile, intuitive and can easily provide an artist with a sketch on the go that can be outputted as an .svg file directly to your Dropbox, or emailed as a .png, .svg, .jpg, or .pdf. The ability to export as an .svg is a valuable feature, as it can be edited in Adobe Illustrator (with all paths intact.  It might not be the software of choice as a complete “studio” software  in its own right, but it certainly can be your “subway commute software,” and that presents a remarkable opportunity for artists and designers to work on the fly and produce a more than adequate start to a legitimate design. The serviceable sketch that this app can produce serves as more than just a base for a finished, publishable product. In fact, a skilled designer could easily produce a finished piece with it from start to finish.

How is the Engineering?

What the app lacks in extras, it makes up for in the intuitive interface. Sprang has a good sense of programming from the point of view of the user, and not from the mind of the developer’s “in-language.”  This kind of ready-to-use quality is what can make or break an app in a few cursory tries, and it can make the difference between becoming a “go-to” app, and one that never gets used again. Inkpad’s  drawing brush, layer menus, toolbars, intuitive tapping and pinching reactions, etc, almost always do exactly what one would expect them to do, reflecting an intuitive engineering that doesn’t lose a user in the process of artmaking. Simply put, the app WORKS like it should.

 

Screen Shot of an Inkpad shot in progress

Some of the other vector apps such as Paintbook 3.2, iDesign and others actually have more capabilities for drawings and versatility for layers, but I find them to be a little less intuitive, or at least having a slightly steeper learning curve. While digital-savvy artists might actually prefer complexity and extended tool options, the layman artist probably will want to be able to jump right in. Like Brushes, Inkpad seems to bridge the amateur-professional divide with a user interface that doesn’t require a training seminar.

Brushes users, or those who enjoy pure drawing/painting might not really enjoy, or have a need for Inkpad-nor might professional designers who are already accustomed to a more complex language. But Inkpad produces a product that will be immediately recognizable as the graphic design lexicon of the day. Early artist efforts I’ve seen on the Ikpad Flickr site consist mostly of designs made up of color-fields, stroked with surrounding lines or merely consisting of  a conglomeration of hard-edged organic or geometric shapes. This style ironically resurrected or perpetuated the modernist obsession with flattening and fragmentation, while the computer has codified it as a uniquely 21st Century style. I  haven’t seen many artists directly incorporating the photograph yet, and this may relate to the absence of erasers or the ability to alter layer opacities. These features, if added might might provide for more subtlety and versatility in the apps end products.

To Buy or Not to Buy.

Sprang originally announced that the app was to debut at $9.99, which would already be reasonable if it weren’t for the fact that we’ve now become accustomed to anything in the $5.99-$9.99 range as the going price of a “professional iPad app”. Taptrix Inc. has debuted Inkpad at an introductory price of $1.99, which is most certainly an introductory offer. At this price, the app is more than a steal, but even when the cost goes up,  I would still advise any interested artist to grab it.  Its main strength is its speed and simplicity. It delivers in its ability to draw freeform shapes in unlimited layers, and to do it in “real time” without bogging down in a lot of memory delays. The ease, versatility and simplicity of it is quite remarkable. Sprang has  already proven with the Brushes app, that a well-designed app holds the day when it comes to gaining  word-of-mouth adoption.  I don’t know if Inkpad will rise to the level of popularity of Brushes. The drawing language isn’t for everyone, and the uninitiated, or the causal artist might not be inclined to employ the harder-edged, and more commercial language of graphic design or have the patience to draw solid fields exclusively via bezier paths (as opposed to traditional brushwork).  For that reason, it might be confined to a more limited crowd than a drawing/painting app. But certainly, with this app, and other vector apps, the challenge will be to court high school and university-level art courses, as there is a real need for vector apps that don’t require many tutorials. An app like Inkpad might be just such a solution for mass-usage. Time will tell if Inkpad” enters the vernacular as a default term for iPad vector graphics in much the same way as “Brushes” became synonymous with fingerpainting at its inception, but it’s a solid debut, and further evidences that mobile art is well on its way to the popular mainstream of art and design.

 

John Bavaro is an artist and an Associate Professor of Art at Edinboro University of Pennsylvania.



Mar 7 2011

Painting of the day: Waiting for high tide by Benjamin Rabe

Matthew Watkins

Waiting for high tide

Done on Inkpad App on iPAd by Benjamin Rabe.


Mar 2 2011

iPad 2 Unveiled

Mia Robinson

iPad 2 has been unveiled with a fast approaching worldwide release date (March 11, 2011). Looks like its got some cool new features.  But are they enough?  Does it meet the mark for the mobile artist?

I had a wishlist for only a couple new features–MORE memory (to minimize crashing) and video-out–for ALL apps.  Though I have to say, the thinner, lighter in white does draw me a bit.

Check the list of upgrades: Continue reading


Mar 1 2011

Breaking News: Inkpad by Steve Sprang now in App Store

Matthew Watkins

The long awaited iPad vector app from Steve Sprang debuted at the last MobileArtCon has been released today  in the App Store.

Steve Sprang’s first app Brushes became an immediate sensation in 2008 triggering a fingerpainting revolution. Inkpad is a full feature vector software.

inkpad drawing

Here is the description from the app store:

 

Description

From the creators of Brushes! Inkpad is a professional vector illustration app designed from scratch for the iPad. It supports paths, compound paths, text, images, groups, masks, gradient fills, and an unlimited number of layers. Inkpad was designed with performance in mind – it can easily handle drawings with hundreds to thousands of shapes without bogging down.

To celebrate the launch, Inkpad will be available for $1.99 for a limited time. Get it now before the price goes up!

Features:

• Very high performance. Select, scale and rotate hundreds of objects with zero lag.
• Create arbitrary bezier paths with the Pen tool.
• Create compound paths, masks and groups.
• Create text objects.
• Place photos from your albums.
• Powerful scale and rotate tools.
• Gradient fills with interactive editing on canvas.
• Swatch library.
• Unlimited layers per drawing.
• Rename, rearrange, delete, hide and lock layers.
• Snap to grid, points, and path edges.
• Isolate the active layer for easy editing.
• Email drawings as SVG, PDF, PNG and JPEG.
• Send SVG, PDF, PNG, and JPEG directly to your Dropbox.


Mar 1 2011

Sketch Club – App Review

Mia Robinson

One of the coolest things about our online network of mobile digital artists is that it’s very unlikely for a good app—no matter how small or under the radar—to stay there for that long. If an artist sees potential, they’ll be more than willing to explore it and share feedback about it with others.  And if someone says “download it.” and nothing else.  Well, its a good sign, for sure. Fortunately for me, someone was nice enough to share a little app called Sketchclub with me.


Self portrait by MROB (sketchclub for iPhone)
Self portrait by MROB (sketchclub for iPhone)

When it comes to newer apps, I tend to start off small. I’ll do a quick test of tools by incorporating its use into my daily metro sketches. It’s an uncommitted and pain-free way of testing the waters. Thankfully, Sketchclub had both an iPhone and iPad version. So I downloaded it onto my iPhone for some quick exploration.

Continue reading


Feb 27 2011

An interview with artist and blogger Michael Nobbs

Matthew Watkins

Michael, you have been an inspiration to me and other bloggers and artists for years. From your hilltop in Wales, even though you have an illness that saps your energy, you draw every day, blog and post links to the best art known to man. You have helped many other people ill or not, make better use of their time and energy or be, as you put it, Sustainably Creative.

Last time we spoke you were still waiting for your ipad and your daily drawing was with pencils and sharpie pens.

FP: So, how do you like the iPad?

Continue reading


Feb 24 2011

SpectraBrush: paint with sound

Benjamin Rabe

SpectraBrush (itunes) was made as part of the “Sound, Image and the Brain: Cognitive Live-Arts Technology in Contemporary Game-Oriented and Accessibility Paradigms” project at Goldsmith’s.
Chris Kiefer of Goldsmith’s:

“Spectra Brush has emerged out of a program we made to explore the capabilities of the iPad for interactivity and audio analysis. We’re really interested in how people connect sound and vision and how people use creative software like this, so the application is sending us telemetry data from anyone who volunteers, and we’re hoping that we get some interesting insights when we analyse it later this year.”

So, when you hum low eg, you get these brush shapes:

On a higher sound level, the brushes look like this:

It’s a fun experimental app, you can grab it for free in the app-store.


Feb 24 2011

Painting of the day: Big Bird by Cowgirl111

Matthew Watkins

Big Bird

Painted in Sketch Club by Cowgirl111. Sketch club is a procedural drawing app that has caught our attention. They have done a good job not only with the app, but also with the community of artists around it.